RASOLS, Sundays, 17:00 (+02:00 EEST) on www.radionaba.lv
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Welcome to VS 2012, Show number three. Retirement seemed like such a good idea at the time. We would put our feet up at the railing of our Queenslander up in the cane fields, we’d pop a XXXX and watch the sun set of over heat haze, whilst convoys of cattle would graze. A certain texture, that certain beat, brings home the nigh time heat.

Oh, you are not au fait with the Australian idiom? (or the lyrics of Gangajang??) Well, considering two of us live in Europe and SCSI has citizenship from Moldova (so ljucky!) we question whether in fact even we understand a word that was just said. So, I guess it means the retirement is over, the shoes are back on, the tinny is re-sealed and we break out the wheels of steel for another show.

Featuring French madness from actor Phillipe Nicaud, weird scat sounds from Janko Nilović coming to Paris via Montenegro and France via French Guiana with Henri Salvador, the first set ends with a tribute to the fashion hub of the world (no, not Miami, philistines!) , Carnaby Street, here in London Town.

The next set is our loving and sincere tribute to one of the greatest musical genres of all time. Many people call it Southern Rock, he know it simply as HRS. Hard. Rocking. Shit. We start with Wicked Wilson Pickett (who Kurac and Ringfinger saw in Sydney in the early 90s) with Duane Allman on geetar. In all seriousness, it is an amazing piece of soul and a great, great vocal from Wicked. The same can’t be said for the next track by Gregg Allman and his ‘woman’ Cher. This album has been out of print since 1977. We cannot for the life of us understand why. The final track is by the Allman Brothers Band from their début album and to me represents one of the most amazing pieces of slide playing in recorded history. No jokes there. At least its shorter than the live version of Mountain Jam (clocking in at a short and clipped 34 minutes).

A few tracks from record store day now; A Pet Shop Boys cover by Field Music and Andrew Bird ‘giving it away’. This is backed by the late, great J.Dilla and Tinariwen from Mali remixed by Portugal the Man. In between is a new piece by DJ Ringfinger himself. Please be kind to him, he really gets a hard time from the press, despite many press junkets, some well attended events and a gift bag that would put Paris Hilton to shame (a Jaguar XJ-S for everyone in the room, beat that Oprah)

Le Monde once described him as… ‘le plus gros tas de merde depuis que étron peu Sarkozy’ whilst the Asahi Shinbum simply called him ‘たわごと’ . The track, entitled ‘A modern interpretation of feminist theory’ features some spoken word from 1960s NYC cab drivers. For more of his rubbish, head to http://www.fabricationdebruit.com.

Finally, we have three very warped tracks selected by DJ Kurac. We start with Metabolist, an early 80s band from the UK, then the LA based early 70s synth work of Nik Raicevic and finally 14:39 mins of late 70s disco funkery from Hot R.S with their version of ‘House of the Rising Sun’.

There you have it, show 3 in the bag. well, maybe we can go back to our retirement home now. Anyone spring us the cab fare?

Adam Yauch (1964-2012)

MCA was and will always be my favorite beastie boy. His voice was unique and his flow always on point. His words and music will live on forever;)

One of the difficulties of being an incurable record collector is that there really isn’t an end to it. A collection is never finished, just abandoned. One of the difficulties of collecting Aussie records is that the bastards keep reissuing them, hence making you either want to find things you didn’t even know about, or decrease the worth of what you did. Let’s complicate the matter further; I live in London, nowhere near a good Aussie record store, with amazon and the internet, but still it’s a regular thing to spend hours going through all the labels and sites to find what is being reissued, only to find that an obscure Japanese label has reissued the complete back catalogue of the Victims on limited edition vinyl which sold out weeks ago.

So, with that in mind 2012-6 kicks off with three tracks from the recent Church re-issues featuring a host of b-sides and bonus tracks. Easy choice with ‘The Unguarded Moment’ to start from Of Skins and Hearts, ‘Electric Lash’ from Seance (for Xiola Blue who got me into this song in the first place) and finishing with ‘When you were Mine’ from Blurred Crusade. Next we come to the aforementioned Victims, a punk band from Perth in 70s featuring one D.Faulkner and James Baker later of the Hoodoo Gurus. Three songs from their extensive discography(!) all about TV, ‘TV Freak’, followed by Telethon Song and the very legendary ‘Television Addict’, with lyrics very much of their time. We round this set out with the original 7” version of the Hoodoo Gurus ‘Leilani’ which has just be reissued on the Greatest Hits compilation (what ever happened to the Electric Soup compile?).

Johanna Piggot was the lead singer of the amazing XL Capri’s (who have been featured on the show twice already). She put a band together in 1986 with Todd Hunter and future Church drummer Tim Powles called Scribble releasing one album and this single ‘Don’t give your heart away’. Three tracks follow all written by j.piggot for the almost-mythical ABC series Sweet and Sour reissued recently on CD. All bar one is from the stupidly rare Sweet and Sour vol 2 soundtrack which sold nowhere near the quantities of the first. Where is the DVD aunty, eh?

This song has been lauded in so many places as being one of the greatest Australian songs ever, but its only when you listen really closely that you hear why, ‘Quasimodo’s Dream’ was released in 1981 by Dubbo’s own ‘’The Reels”. We follow this up with piece of frivolity from Melbourne’s incredibly strange ‘The Shower scene from Psycho’ which I first heard on a JJJ ‘Cooking with George’ compile in 1985. They are hear covering the Mentals track, ‘The Nips are getting Bigger’ recently resiisued by OMNI recordings. Also from a very early era in my Aus listening comes ‘Date with a Vampyre’ by the Screaming Tribesmen. A band I managed in 1986/87 called ‘Dark Shades’ covered this amongst the various Van Halen, Angels and Led Zep covers. We didn’t conquer the earth, or Sydney, or even Dundas, but I still have memories of screaming ‘Take a long line’ by the Angels at the top of my lungs during a rehearsal standing in for the singer! I suspect the neighbour’s memories are even longer and more traumatic. Moving on. A live take on ‘Didn’t tell the man’ from the Hitmen reissue ‘Tora! Tora! Tora! DTK’ and the Visitors riding the ‘Haunted Road’ off their reissue of their one and only album. Try and link Masuak to Kannis to Tek. Easiest 20p ever. We finish the set with an absolutely brilliant piece of spoken word from Aerial Maps. There is something about Adam Gibson’s poetry that evokes a time, a place and a memory. This track is especially brilliant because on the greyest of grey days, drizzling large drops of rain as it is today, you can still remember why you left Sydney and moved to London in the first place…London still exists. ‘til next time. Peter

The Green Man Festival is an independent music festival set in the heart of the Brecon Beacons in Wales.

It has evolved from a one-day, 300 capacity event in 2003, to a 10,000 capacity non-corporate and ethically-minded three-day festival with five stages.

Whilst the festival is 100% independent, it still draws a brilliant line up of performers each year, spanning the music spectrum - including indie, psychedelia, Americana, electronica and folk, as well as DJs playing everything from electro to stoner rock.

Recorded at the Green Man Festival in 2008, Rob McDowall's DJ set joins the dots between alt-folk, electronica and psychedelia.

www.robmcdowall.wordpress.com // www.greenman.net

A selection of track from and inspired by The Matrix films An ALL time trilogy if you ask me, just a raw mix, experimental shal we say!

Feed Me Weird Things Presents Sunshowers - a mix by Bluemeaney.

April is a weird month, we've had scorching sun last week and snow this week and some Sunshowers. This mix is kinda like April. It's all over the place in terms of genres but somehow it all works.

If you'd like more chat about the weather and some other stuff, like this page: https://www.facebook.com/feedmeweirdthingsflirtfm

1992. I was living the dream working in a bookshop, earning bucketloads of casual dosh. I was spending it all on music, beer and train tickets every day into the city and nightride buses all the way back to the suburbs of Sydney. In celebration of music that now 20 years old (I know!) this week’s podcast is all about 1992. Let’s start with three great female fronted bands of the early 90s. The Falling Joys originally from Canberra launched their second album ‘Psychohum’ with this piece of contemporary political agitation (Black Bandages), we follow that with ‘Say it’ from the Octopus mini-album by the Clouds, then the Australian Catherine Wheel with ‘Reach’ off the Self Portrait EP and finally we end with ‘Winters Tale’ by the Joys featuring Jodi and Trish from the Clouds on back-up.

The next set is linked by the mighty Waterfront records, which along with the shop of the same name were critical to the Sydney indie scene. Wollongong’s Tumbleweed with Daddy Long Legs from the debut album, Punchbowl’s Hard-ons with ‘She’s a Dish’ and finally nowhere in particular’s Mr Floppy with the EP version of the amazing 100,000 Morriseys. I will play the single version in another show, which featured on the 1993 album ‘The unbearable lightness of being a dickhead’

Two tracks from Melbourne now, linked by a piece of champagne comedy from the Late Show. Underground Lovers off their debut album do a moody piece of electronica/shoegaze with ‘Eastside Stories’ followed by the criminally maligned Frente with ‘Ordinary Angels’ of the Clunk EP. Dancing like a dickhead is quite a strain 
Three tracks from some go-betweens refugees. Firsly from his second solo alnum ‘Fireboy’ the late and missed Grant McLennan with Lighting Fires, Lindy and Amanda formed Cleopatra Wong and were signed to rooART and put this little track out on the Egg EP and finally we go back to Grant and a b-side from the Lighting Fires single, with a heartfelt rendition of Bruce Springsteen ‘If I should fall behind’. Speaking of rooART, the indie label that went major for a few years, we have three songs that were released in 1992 (that weren’t Wendy Matthews hits) – Watching the Wind Blow from Perth’s Tall Tales and True, the final Hummingbirds release for rooART (and probably their most poppy track – if you can the single, the other songs are amazing and point to the direction of the last two EPs) and finally Ratcat with Holiday off ‘Inside out’. There was no TV Week coverage this time.
We round out this week’s show with two completely unrelated tracks, although anyone who can make a connection I will give them something. Maybe a hug. The recently reformed Def FX with a piece of proto dance, industrial Goth and the always funny TISM with Lillie, caught Dilley, Bowled Milli Vanilli. And there was some vintage Daryl Somers mixed in there somewhere. See if you can spot some of the vintage 1992 advertising peppering the show. G-O-G-G-O..not the dart, they always think it’s the dart.

Van Hunt is the Curtis Mayfied of our generation. As Curtis did, Van Hunt knows how to write a song. I don't know why he continues to go unsung, but he is a quadruple threat: singer, songwriter, musician, and producer. There are many people who can sing. There are many people who can play, but rare is the really good songwriter.

Van Hunt has released two very stellar studio albums, Van Hunt and On The Jungle Floor. There is not one filler song on either of these releases. He was all set to release a third studio album, Popular, when it was shelved by Blue Note. Why, oh why did they do that? It is such a brilliant album.

Last year, he independently released technically his fourth album, What Were You Looking For?

The quality of songwriting that Van Hunt continues to conjure is mindboggling. Songwriting is such a dying craft. It is important that we hold on to it, and as a result we should celebrate Van Hunt.

Van Hunt is currently on tour. To see tour dates, visit http://www.vanhunt.com/news. If he comes to a city near you, support this soul soldier who is holding it down like no other. He is truly a national treasure and no one seems to know this. Hopefully, by the end of this mix, YOU will, and as a result I hope you will purchase his albums and go see him live so that Van Hunt can continue to do what he does better than most: make music.

Grown Folks Music Blog conducted a wonderful interview with Van Hunt last year. I'd definitely check it: http://soundcloud.com/grownfolksmusic/van-hunt-interview

Wide Open Road throws out the rule book for Show 4. No themes, no links, no relationships and no limits. This show has no lyrical meanings. It’s just a bunch of songs to make you happy, to feel like the last twenty years have faded away, to feel nostalgic, to remember good times and to learn about stuff that perhaps you might have heard when you were growing up, swung around a blue light disco and danced to, or pulled out the poster from TV Week and put on your bedroom wall. In my case, I rejected at four of these bands to play at my school in 1985 and instead chose the Dynamic Hepnotics (in my defence, Soul Kind of Feeling was a REALLY big hit). Being an Aussie living away from home, these songs anchor us to a time and place that sometimes feel more real than perhaps it did when we were reliving at home. And yes, sometimes that time and place was Countdown, or the first years of MTV with Richard Wilkins, or Sounds with Donnie Sutherland or Nightmoves with Lee Simon. Enjoy!



We start the set with the amazing Sunnyboys, off their first single from 1981 and ‘Alone with You’. Does anyone remember Sunnyboys ice blocks? 5 cents they used to cost. I nicked that from the floor of my brothers green mini. We move to Icehouse or Flowers with ‘We can get together’ and round out the triple with Models and their classic ‘I Hear Motion’. If there were a theme to the next three tracks I would have to say ‘pop’. As much as this show celebrates the harder edges of Australian indie, the smoother pop seams should never be ignored. Electrics Pandas (Big Girls), Machinations (Pressure Sway) and Eurogliders (Heaven) all charted with these songs in 1984 (or late 1983 for the Machinations). OK, if we are talking pop, then the next three songs fit that bill. And you know, it’s time to revisit this era of our musical history. The Swingers were a one hit wonder with Counting the Beat (although I was just reminded that it ended up as a K-Mart theme – cheap undies anyone?). Mi-Sex were kiwi, but ‘Computer Games’ is a great song despite that slip-up and Mondo Rock had a large brace of classic songs, but Cool World is one of the best. Perhaps the next three songs represent a slight return to more classic DJ Ringfinger style, The Trilobites singing the praises of ‘American TV’, Paul Kelly and his recently convened Coloured Girls with ‘Darling it Hurts’ and XL Capris serenading Parramatta Road in Sydney (featuring Johanna Piggott and Todd Hunter of Dragon). More Kiwis with Crowded House off their debut with ‘Mean to Me’, Split Enz with Poor Boy and one of the first albums I scored free off a record company (from the old Festival Records factory in Pyrmont) ‘Whaling’ by DD Smash. We wrap up this very special show with the Hoodoo Gurus, Spy V Spy lamenting the end of heritage buildings in Sydney with ‘Don’t Tear it Down’ and finally we go back to square one with the absolutely seminal and amazing ‘Happy Man’ by the Sunnyboys .

This show is inspired by and dedicated to my dear friend, Joanne White @MediaMum

VS 2012 is back for another show. They said we never make, but finally we pulled through. Yes, we can’t believe it! The most amazing thing has happened. Our second show!! Well, we’d like to thank WhatYouWant Radio, and Jebus, and Blowfly and, yes, how could I forget, us. We rock. Ego is not a dirty word.

We also offer a hearty VS hola¡ to our brand new DJ, ‘DJ SCSI’. Arisen from the fires of Mt MF Doom, she has taken her place at the right hand of the troika. Bejewelled and beautiful she... actually, who the hell are we kidding? It’s just our old SCSI with a new ribbon cable and sexier heels. Oh well, next time perhaps.
sub•tle/ˈsətl/
Adjective:
(i) (esp. of a change or distinction) So delicate or precise as to be difficult to analyze or describe.
(ii) (of a mixture or effect) Delicately complex and understated.
(iii) NOT VS 2012. No way. Nuh-uh. You kidding me?

What a mix of outright hedonism, strange psychedelic masterpieces and Australian double entrendre we have for you this week. We kick off with a world triple with tracks from Iran, Mexico and Het Neder. Noted Dutch ‘author’ Xaviera Hollander discusses the merits of polishing a bar top., which can only be followed by Australian band Skyhooks celebrating onanism by using pretty much every piece of slang for the holy practice they can muster. ‘Average Inadequacy’ is Australian indie dance from 1982 and is backed a piece of Australian Underground by the Particles. Madlib breaks out the raga beats and disco crew Lipstique channels Piero Umiliani (and Animal). A breakdown of French masculine folie ensues with Polnareff, Dutronc and Hallyday sprouting forth large gushes of la testosterone (and Jimmy Page guitar licks on Psychedelic). Finally after encounter with ‘le verge de satan’ (go on, google it) we round out the set with some psych with the Pleasure Seekers from ’65, some murder country with Psycho and finally a plea to allow a child some dignity and respect especially from his half-naked mother from Troy Hess. SCSI makes her presence felt at the end with a tribute to Estonia and their many, many Eurovision triumphs. So there you have it, VS 2012 plays fast and loose with your ears, your brain, your duodenum and your own folie (and perhaps verge).

March 11 2012, the first anniversary of the Tohoku earthquake, in remembrance of the in excess of 22, 000 people who lost their lives and the tens of thousands more who lost their families, homes and livelihood, I`ve put together three selections of music made by Japanese artists – this one is Japanese Funk, Rock and New Wave - classic Japanese fusion and disco – can be found on the Lone Star page of Samurai.FM – later today a selection of chilled Japanese obscurities will be posted at www.testpressing.org

FINAL SEX