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New Music Generation
| House | Techno | Electro | Trance |
| Disco | Funk | Soul | R & B |
| Breaks | Dubstep | Broken | Drum & Bass |
| Hip-Hop | Glitch | Garage | Scratch |
| Electronica | Downbeat | Ambient | Noise |
| World | Reggae | Jazz | Rock |
| Crossover | Mash-up | Eclectic | Verbal |
| Deep | Balearic | Future | Anthem |
| New | Cosmic | Tribal | Prog |
| Dark | Hard | Bit | Dub |
| Urban | Jazzy | Funky | Hardcore |
| Classic | Abstract | Retro | Minimal |
| Dirty | Latin | Afro | Punk |
features
Firm Records special with Popnoname
Five years ago Popnoname (real name Jens-Uwe Beyer) moved from the pretty German island Fehmarn to Cologne to make his music thing. He produced music for several films and theatre plays before turning his focus to charmy but sometimes rough rocking electronic beats released by Italic, Firm and Kompakt. His always changing one man live-show with computer, guitar and microphone has toured all over the world.
www.popnoname.de
Firm records is a label based in Cologne Germany run by Thomas Schaeben. Releasing records since 2002, Thomas also records with HeikoVoss under the moniker of Schaeben & Voss for Kompakt who also act as the distributor for Firm. With a reliable roster of artists including Dirk Leyers, Justus Kohncke, Bozzwell, Heiko Voss, Geiger, Coma and a whole host of other talent the label has been going from strength to strength.
To find out more listen to Thomas having a chat with Bozzwell about Firm and what's to come in the future for the label.
www.firmrecords.de
www.popnoname.de
Firm records is a label based in Cologne Germany run by Thomas Schaeben. Releasing records since 2002, Thomas also records with HeikoVoss under the moniker of Schaeben & Voss for Kompakt who also act as the distributor for Firm. With a reliable roster of artists including Dirk Leyers, Justus Kohncke, Bozzwell, Heiko Voss, Geiger, Coma and a whole host of other talent the label has been going from strength to strength.
To find out more listen to Thomas having a chat with Bozzwell about Firm and what's to come in the future for the label.
www.firmrecords.de
fabric Presents Martyn
Martijn Deijkers' particular strand of bass defies genres or adjectives - to his fans and admirers, it's known simply as 'Martyn Music.' With a sound that became a cornerstone for dubstep in 2009, and a debut album ('Great Lengths') that became one of the most stylistically fierce long players the scene has produced to date, Martyn pushes a rebellious, out-of-the-box mentality into his every artistic venture. Commanding dancefloors with a strong sense of timing and attitude, his music revels in its relative simplicity - synth lines lounging atop swung drum patterns, all in turn massaged by warm low frequencies - a trait he's reinforced with fabric 50, his first mix CD to date.
With this Martyn intertwines the essential elements of what makes his own style so pristine and easily recognisable, fusing dancefloor ready percussion with that element of raw soul - whether it's vocal led or simply inferred with emotive chords - and synthesizers that harbour those distinct frequencies that positively shimmer. Anyone who has witnessed Martyn meticulously construct one of his DJ sets over the tail end of 2009 can testify to the pitch perfect, unfathomably smooth beat and vibe matching. Whilst the mix is loaded with welcome surprises like Hudson Mohawke's 'Joy Fantastic' and Levon Vincent's 'Air Raid' - tracks that might not work on every dancefloor - it's an honest and healthy glimpse into the Dutchman's current DJ perspective.
"I did the whole mix CD live just because I thought that was more honest than doing an Ableton DJ mix. It is how I would play live - not everything on the CD is perfect, but it's not meant to be. That goes for my DJ sets and for my music as well; there's always little bits and pieces that could have been much better or more streamlined or whatever, but that's the beauty of music to me. I wanted it to be raw and honest."
www.fabriclondon.com
www.myspace.com/martyndnb
With this Martyn intertwines the essential elements of what makes his own style so pristine and easily recognisable, fusing dancefloor ready percussion with that element of raw soul - whether it's vocal led or simply inferred with emotive chords - and synthesizers that harbour those distinct frequencies that positively shimmer. Anyone who has witnessed Martyn meticulously construct one of his DJ sets over the tail end of 2009 can testify to the pitch perfect, unfathomably smooth beat and vibe matching. Whilst the mix is loaded with welcome surprises like Hudson Mohawke's 'Joy Fantastic' and Levon Vincent's 'Air Raid' - tracks that might not work on every dancefloor - it's an honest and healthy glimpse into the Dutchman's current DJ perspective.
"I did the whole mix CD live just because I thought that was more honest than doing an Ableton DJ mix. It is how I would play live - not everything on the CD is perfect, but it's not meant to be. That goes for my DJ sets and for my music as well; there's always little bits and pieces that could have been much better or more streamlined or whatever, but that's the beauty of music to me. I wanted it to be raw and honest."
www.fabriclondon.com
www.myspace.com/martyndnb
fabric Presents Magda
Polish-born, Detroit-raised and Berlin-based Magda Chojnacka has been working her way through the underground electronic circuit since the early 90s and is now a key member of the worshipped Minus family.
Currently residing in Berlin, a relative stone's throw from her home town of Zywiec in Poland considering the nomadic existence of her childhood, she seems to have finally found a city that mirrors her own attitude to life - no restrictions and certainly no compromise. It's a philosophy that also flows through Magda's music particularly during her after hour sets. The ability to guide her audience through the dark recesses of contemporary minimalism before delivering them back safely into the light means her name is never far from the lips of discerning clubbers and fellow DJs alike.
It's easy to see why she's one of the most exciting prospects to breakthrough in recent years. Magda makes things happen. Always has done, always will do.
The first lady of Minus has become the third woman to join fabric's mix legacy with fabric 49.
www.fabriclondon.com/label/fabric/49
www.m-nus.com
Currently residing in Berlin, a relative stone's throw from her home town of Zywiec in Poland considering the nomadic existence of her childhood, she seems to have finally found a city that mirrors her own attitude to life - no restrictions and certainly no compromise. It's a philosophy that also flows through Magda's music particularly during her after hour sets. The ability to guide her audience through the dark recesses of contemporary minimalism before delivering them back safely into the light means her name is never far from the lips of discerning clubbers and fellow DJs alike.
It's easy to see why she's one of the most exciting prospects to breakthrough in recent years. Magda makes things happen. Always has done, always will do.
The first lady of Minus has become the third woman to join fabric's mix legacy with fabric 49.
www.fabriclondon.com/label/fabric/49
www.m-nus.com
fabric Presents Radio Slave
Anyone can construct a track, and lay out its elements in all the right places - have the bassline kick just here, or the percussion build right there - but only a select few can actually design one.
It comes as no surprise that Matt Edwards aka Radio Slave is a graphic designer and artist by trade, as a visual thread runs colourfully through his sonics, rhythms and arrangements. Shaped by the groove, and ever leaning on an uplifting hypnotic lilt, every production that falls under the spell of Edwards becomes certified dancefloor gold.
Matt also runs the highly influential Rekids label releasing high quality music from artists such as Spencer Parker, Toby Tobias, Mr G, Audiofly and many more. Matt resides in Berlin but is famed the world over for his long hypnotic DJ sets blending stripped back house with percussive techno and minimalism.
He has just mixed 'Fabric 48' which is available now, and here's his new mix & interview - enjoy!
www.myspace.com/rekid
www.fabriclondon.com
It comes as no surprise that Matt Edwards aka Radio Slave is a graphic designer and artist by trade, as a visual thread runs colourfully through his sonics, rhythms and arrangements. Shaped by the groove, and ever leaning on an uplifting hypnotic lilt, every production that falls under the spell of Edwards becomes certified dancefloor gold.
Matt also runs the highly influential Rekids label releasing high quality music from artists such as Spencer Parker, Toby Tobias, Mr G, Audiofly and many more. Matt resides in Berlin but is famed the world over for his long hypnotic DJ sets blending stripped back house with percussive techno and minimalism.
He has just mixed 'Fabric 48' which is available now, and here's his new mix & interview - enjoy!
www.myspace.com/rekid
www.fabriclondon.com
FABRICLIVE Presents LTJ Bukem
As a preview to the new Fabric compilation put together by one of drum and bass' greatest Danny 'LTJ' Bukem we present a profile of him along with a mix that gives you a taste of the album. Here's an introduction in his own words...
"With the mix I really wanted to highlight what I'm doing as a DJ. I could've sat there with a computer and done what a lot of people do: a computer mix, which is great fun as you can do what you can't do live. But for me personally, I wanted it to be exactly what I do on a Friday night, strictly dubplates and records. I also wanted to represent people on the mix that I am working with on Good Looking, who I have a strong belief will have some longevity in what they are doing, and are going to be prolific artists in their own right. For me, it doesn't matter who the artist is, it's just about good music. That's been my ethos since day one"
www.goodlooking.org
www.fabriclondon.com
"With the mix I really wanted to highlight what I'm doing as a DJ. I could've sat there with a computer and done what a lot of people do: a computer mix, which is great fun as you can do what you can't do live. But for me personally, I wanted it to be exactly what I do on a Friday night, strictly dubplates and records. I also wanted to represent people on the mix that I am working with on Good Looking, who I have a strong belief will have some longevity in what they are doing, and are going to be prolific artists in their own right. For me, it doesn't matter who the artist is, it's just about good music. That's been my ethos since day one"
www.goodlooking.org
www.fabriclondon.com
fabric Presents Claude Von Stroke
Sometimes life moves in mysterious ways. Take, for instance, Barclay Crenshaw, aka super-producer and dirtybird/mothership boss Claude VonStroke. How could he, as a rap-obsessed 16 year old dreaming of an engineering job at Metroplex (Juan Atkins' studio) in Detroit, expect that someday he'd end up headlining gigs alongside Atkins. The same could be said about his days as a frustrated creative working in post-production houses, when he began creating an electronic music documentary by interviewing internationally-renowned DJs. He never could've predicted that one day, rather ironically, he'd be in the opposite chair: the world-famous DJ being interviewed.
"Everything is really tailored; the tracks aren't really the tracks, it is all cut up, chopped and twisted. It's challenging to do a project that has to say everything in such a small time frame because I play a lot of genres. So I worked hard on getting all the different sounds that I really dig into one mix. It wasn't made as a dancefloor mix, but if you listen to it and you don't tap your feet, or move in some way, then it's just a complete failure. I wanted to create a greasy, dirty vibe but also get melancholy and funky - a little hard here, a little soft there. I picked the best music I could find and put it together in a creative way that fully represents my sound and personality." - Claude VonStroke
www.dirtybirdrecords.com
"Everything is really tailored; the tracks aren't really the tracks, it is all cut up, chopped and twisted. It's challenging to do a project that has to say everything in such a small time frame because I play a lot of genres. So I worked hard on getting all the different sounds that I really dig into one mix. It wasn't made as a dancefloor mix, but if you listen to it and you don't tap your feet, or move in some way, then it's just a complete failure. I wanted to create a greasy, dirty vibe but also get melancholy and funky - a little hard here, a little soft there. I picked the best music I could find and put it together in a creative way that fully represents my sound and personality." - Claude VonStroke
www.dirtybirdrecords.com
latest
Welcome to VS 2012, Show number three. Retirement seemed like such a good idea at the time. We would put our feet up at the railing of our Queenslander up in the cane fields, we’d pop a XXXX and watch the sun set of over heat haze, whilst convoys of cattle would graze. A certain texture, that certain beat, brings home the nigh time heat.
Oh, you are not au fait with the Australian idiom? (or the lyrics of Gangajang??) Well, considering two of us live in Europe and SCSI has citizenship from Moldova (so ljucky!) we question whether in fact even we understand a word that was just said. So, I guess it means the retirement is over, the shoes are back on, the tinny is re-sealed and we break out the wheels of steel for another show.
Featuring French madness from actor Phillipe Nicaud, weird scat sounds from Janko Nilović coming to Paris via Montenegro and France via French Guiana with Henri Salvador, the first set ends with a tribute to the fashion hub of the world (no, not Miami, philistines!) , Carnaby Street, here in London Town.
The next set is our loving and sincere tribute to one of the greatest musical genres of all time. Many people call it Southern Rock, he know it simply as HRS. Hard. Rocking. Shit. We start with Wicked Wilson Pickett (who Kurac and Ringfinger saw in Sydney in the early 90s) with Duane Allman on geetar. In all seriousness, it is an amazing piece of soul and a great, great vocal from Wicked. The same can’t be said for the next track by Gregg Allman and his ‘woman’ Cher. This album has been out of print since 1977. We cannot for the life of us understand why. The final track is by the Allman Brothers Band from their début album and to me represents one of the most amazing pieces of slide playing in recorded history. No jokes there. At least its shorter than the live version of Mountain Jam (clocking in at a short and clipped 34 minutes).
A few tracks from record store day now; A Pet Shop Boys cover by Field Music and Andrew Bird ‘giving it away’. This is backed by the late, great J.Dilla and Tinariwen from Mali remixed by Portugal the Man. In between is a new piece by DJ Ringfinger himself. Please be kind to him, he really gets a hard time from the press, despite many press junkets, some well attended events and a gift bag that would put Paris Hilton to shame (a Jaguar XJ-S for everyone in the room, beat that Oprah)
Le Monde once described him as… ‘le plus gros tas de merde depuis que étron peu Sarkozy’ whilst the Asahi Shinbum simply called him ‘たわごと’ . The track, entitled ‘A modern interpretation of feminist theory’ features some spoken word from 1960s NYC cab drivers. For more of his rubbish, head to http://www.fabricationdebruit.com.
Finally, we have three very warped tracks selected by DJ Kurac. We start with Metabolist, an early 80s band from the UK, then the LA based early 70s synth work of Nik Raicevic and finally 14:39 mins of late 70s disco funkery from Hot R.S with their version of ‘House of the Rising Sun’.
There you have it, show 3 in the bag. well, maybe we can go back to our retirement home now. Anyone spring us the cab fare?
Oh, you are not au fait with the Australian idiom? (or the lyrics of Gangajang??) Well, considering two of us live in Europe and SCSI has citizenship from Moldova (so ljucky!) we question whether in fact even we understand a word that was just said. So, I guess it means the retirement is over, the shoes are back on, the tinny is re-sealed and we break out the wheels of steel for another show.
Featuring French madness from actor Phillipe Nicaud, weird scat sounds from Janko Nilović coming to Paris via Montenegro and France via French Guiana with Henri Salvador, the first set ends with a tribute to the fashion hub of the world (no, not Miami, philistines!) , Carnaby Street, here in London Town.
The next set is our loving and sincere tribute to one of the greatest musical genres of all time. Many people call it Southern Rock, he know it simply as HRS. Hard. Rocking. Shit. We start with Wicked Wilson Pickett (who Kurac and Ringfinger saw in Sydney in the early 90s) with Duane Allman on geetar. In all seriousness, it is an amazing piece of soul and a great, great vocal from Wicked. The same can’t be said for the next track by Gregg Allman and his ‘woman’ Cher. This album has been out of print since 1977. We cannot for the life of us understand why. The final track is by the Allman Brothers Band from their début album and to me represents one of the most amazing pieces of slide playing in recorded history. No jokes there. At least its shorter than the live version of Mountain Jam (clocking in at a short and clipped 34 minutes).
A few tracks from record store day now; A Pet Shop Boys cover by Field Music and Andrew Bird ‘giving it away’. This is backed by the late, great J.Dilla and Tinariwen from Mali remixed by Portugal the Man. In between is a new piece by DJ Ringfinger himself. Please be kind to him, he really gets a hard time from the press, despite many press junkets, some well attended events and a gift bag that would put Paris Hilton to shame (a Jaguar XJ-S for everyone in the room, beat that Oprah)
Le Monde once described him as… ‘le plus gros tas de merde depuis que étron peu Sarkozy’ whilst the Asahi Shinbum simply called him ‘たわごと’ . The track, entitled ‘A modern interpretation of feminist theory’ features some spoken word from 1960s NYC cab drivers. For more of his rubbish, head to http://www.fabricationdebruit.com.
Finally, we have three very warped tracks selected by DJ Kurac. We start with Metabolist, an early 80s band from the UK, then the LA based early 70s synth work of Nik Raicevic and finally 14:39 mins of late 70s disco funkery from Hot R.S with their version of ‘House of the Rising Sun’.
There you have it, show 3 in the bag. well, maybe we can go back to our retirement home now. Anyone spring us the cab fare?
This time Dj Rute brings us Saudade...a one hour ride full of tracks that mean more than missing someone...
As Rute describes it herself: "Music that means more than words...Listen to it and you will know what it means...Do you feel it?"
Well, nothing more to say for now...
DJ Rute, bang it on....!
As Rute describes it herself: "Music that means more than words...Listen to it and you will know what it means...Do you feel it?"
Well, nothing more to say for now...
DJ Rute, bang it on....!
Download:
http://official.fm/tracks/358367
RASOLS, Sundays, 17:00 (+02:00 EEST) on www.radionaba.lv
Live stream: bit.ly/NABAstream
http://official.fm/tracks/358367
RASOLS, Sundays, 17:00 (+02:00 EEST) on www.radionaba.lv
Live stream: bit.ly/NABAstream
First of all: This Radio Drama i did for my sound-design final exam at the Datenklang Musikschule Berlin. It´s in German so i would like to follow on in german....hey but don´t worry after this 20 min. story you will find my MASTER MIX. 60 minutes of pure ZAPPAIZM TECHNO.
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BERLIN MAYA ANDERERGROUND KONNEXION
Die Geschichte haben wir uns in Zusammenarbeit mit 5 Schülern ausgedacht, aufgezeichnet und erstellt.
Das Hörspiel selbst ist von mir und dauert ca. 20 min.
Die Geschichte handelt am 21.12.2012. Hier endet der Maya-Kalender und unser Planet bekommt eine höchstseltene Planetenkonstellation vom Sonnensystem verpasst, die nur alle 26 000 Jahre passiert .
Wie und ob das unsere 6 Hauptcharaktere überleben werden, könnt ihr nun in meiner musikalischen Hörspiel Geschichte
"BERLIN MAYA ANDERERGROUND KONNEXION" nachempfinden.
Als Bonus gibt es noch danach meinen MASTERMIX
ZAPPAIZM TECHNO REVEELUTION.
VIEL SPASS!!!
IBMM
PHILBARBEE
sound-science
keep it deep & oiriginal since 1994
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////
BERLIN MAYA ANDERERGROUND KONNEXION
Die Geschichte haben wir uns in Zusammenarbeit mit 5 Schülern ausgedacht, aufgezeichnet und erstellt.
Das Hörspiel selbst ist von mir und dauert ca. 20 min.
Die Geschichte handelt am 21.12.2012. Hier endet der Maya-Kalender und unser Planet bekommt eine höchstseltene Planetenkonstellation vom Sonnensystem verpasst, die nur alle 26 000 Jahre passiert .
Wie und ob das unsere 6 Hauptcharaktere überleben werden, könnt ihr nun in meiner musikalischen Hörspiel Geschichte
"BERLIN MAYA ANDERERGROUND KONNEXION" nachempfinden.
Als Bonus gibt es noch danach meinen MASTERMIX
ZAPPAIZM TECHNO REVEELUTION.
VIEL SPASS!!!
IBMM
PHILBARBEE
sound-science
keep it deep & oiriginal since 1994
Download:
http://snd.sc/A9CCus
http://official.fm/tracks/328730
RASOLS, Sundays, 17:00 (+02:00 EEST) on www.radionaba.lv
Live stream: bit.ly/NABAstream
http://snd.sc/A9CCus
http://official.fm/tracks/328730
RASOLS, Sundays, 17:00 (+02:00 EEST) on www.radionaba.lv
Live stream: bit.ly/NABAstream
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
This was recorded live @ Skaņu Mežs (Sound Forrest), annual festival of adventurous music in Riga, Latvia, on a Friday night of 2010.09.10.
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
Back3back improvisation with 2 turntables, 2 laptops, 2 mixers. Features a lot of spoken word over electroacoustic soundscapes, glitch/broken beats and some surprising selections. Spiced with FX and loops.
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
Mixed with 2 turntables, 2 laptops and 2 mixers. Contains: weird songs, broken beats, downtempo, ambient, dancehall, dub(step), funk, old-skool electro, easy-listening, spoken word in Russian and English, field recordings, scratches, FX, loops, and other crazy shit.
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
RASOĻŅIKS mixes are impromptu freeform back2back or back3back Cross Genre Mashup sets done by members of the radio show RASOLS in various combinations.
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
http://rasolniks.official.fm
http://soundcloud.com/rasolniks
Mix download here:
http://snd.sc/r8mpGu
Main stuff & links are here:
http://soundcloud.com/DJARNO
http://twitter.com/ARNOSKIPARS
http://snd.sc/r8mpGu
Main stuff & links are here:
http://soundcloud.com/DJARNO
http://twitter.com/ARNOSKIPARS
| House | Techno | Electro | Trance |
| Disco | Funk | Soul | R & B |
| Breaks | Dubstep | Broken | Drum & Bass |
| Hip-Hop | Glitch | Garage | Scratch |
| Electronica | Downbeat | Ambient | Noise |
| World | Reggae | Jazz | Rock |
| Crossover | Mash-up | Eclectic | Verbal |
| Deep | Balearic | Future | Anthem |
| New | Cosmic | Tribal | Prog |
| Dark | Hard | Bit | Dub |
| Urban | Jazzy | Funky | Hardcore |
| Classic | Abstract | Retro | Minimal |
| Dirty | Latin | Afro | Punk |
