Label owner Lee Mortimer unleashes Wearhouse Music All Night Long…a DJ journey featuring exclusive upfront masterpieces from the biggest and best names in the electro house music today. Artist such as Laidback Luke, Krafty Kuts, Foamo, TEED, Reset!, Black Noise, Rico Tubbs all feature with tracks so big its hard enough to keep them down in one mix!

Ahead of it's release we present you a 40 minute mini mix of the album's tracks mixed by Lee himself.

Wearhouse Music has been a solid source of electro goodness for over 5 years now and today continues push Lee Mortimer as an artist / remixers alongside producers such as Jay Robinson / Kill Light / Douster / Jamie Fanatic to name a few. Having taking time out of his production and DJ schedule to compile this awesome mix of new beats and bass, Lee Mortimer tightly knits together a hands in the air mix that should see another chapter in his career go forward at a great pace.

The album drops in June.

www.facebook.com/leemortimermusic

Once again Daedelus brings us some fresh IDM in his own inimitable style. A leading persona on the West Coast scene Daedelus presents us with an innovative symphony of broken beats, surrealism and psychodelia combined with some pop elements and something else we can't put into words. This was the first time he played in Greece.

www.myspace.com/daedelusdarling

Sweat.X is the duo of MC Spoek Mathambo (Nthato Mokgata) and Markus Wormstorm (Markus Smit) from South Africa, with releases on the UK's Citinite and Try Harder labels, as well as a full-length slated for Flamin Hotz. Mokgata has been writing songs since he was ten and initially made a name for himself through collaborations with MC heavy weight Watkin Tudor Jones JR (Max Normal). Since then he has established himself as an independent force on the South African hip-hop rap scene. Smit is an Afrikaner born in Pretoria, classically trained with a number of electro projects including The Real Estate Agents.

Though they began in Soweto, Sweat.X offer something radically different to the massively popular kwaito - mid-tempo, blingy house - that is usually associated with the area. Fusing Afro-electro dance with new world funk, electro-breaks and rapping, old school hippity-hop and hyper style and retro-future fashion, 'African Coochie Pop', and 'Black Sweat' are the genres they've coined for their brand of 'patois-littered electrorap'. Since their first EP Ebonyivorytron (Citinite) was released at the end of 2007, young designers from Capetown and beyond styled Sweat.X's afrofuturist vision where tailored neon and complicated robot outfits mesh with hyper-bling and X-rated electro-booty beat funk.

www.myspace.com/sweatx

Drums of Death came to be after an encounter with a dark priest on a sorrowful night in Haiti. A musician known as Colin Bailey emerged from this near fatal encounter as you see him now: dark, dishevelled and disfigured. Cursed by magick, Bailey's heart was cut out and as he lay on the brink of death, the voodoo priest fixed a broken drum machine into his chest. The voodoo machine pulsed its artificial rhythm through his chest and around his blood, helping bind him to the earth whilst further fuelling his dark desires and terrible urges.

Now the property of Greco Roman, Drums of Death's music is borne out of these urges. Passion for the synthetic pulse of grime and techno mixed with the rhythms and primal lusts of low-down, swamp rock 'n roll. Add to this an electronic live show that solicits a hot mix of these influences and a desire to bring something wild to dark clubs and you have the ultimate rave-inflicting artist.

It's a testament to a youth spent in metal bands whilst growing up in a small Scottish town with subsequent discoveries of techno at raves in Glasgow and bass culture from his time in London.

The voice is just as an integral part to the Drums of Death experience than the profound bass pressure. Throwing out rhymes and lyrics with equal gusto, these twisted, FX-drenched flows and cut-up, destroyed yells trawl for influence from abstract sources, drawing upon strange imagery and bending reason and melody to breaking point.

Eschewing traditional production methods, Drums of Death seeks a rawer approach to recording in order to retain the fierce energy of the live shows.

Bass, blood and the beat. This is a message to Generation Hexed from the cracked mind of a Voodoo Hoodlum. Forthcoming album on Greco Roman.

www.drumsofdeath.com

Hot City's productions have been picking up some seriously underground hype over the last couple of months, since a broadcast of his live set on Mary Anne Hobb's Radio 1 show last December a scattering of tracks have made it into the hands of a selection of DJs, from current names such as Drop The Lime, Hannah Holland, Edu K and Hudson Mohwake to Chicago legends Jammin' Gerald, Robert Armani and Detroit's DJ Omega.

Also resident at London's pioneering Bassline/ Funky night Wifey, he co-runs How's My Raving? with fellow Samurai.fm residents Disco Of Doom, check out his debut 'Yeah!' EP out now on Highpoint Lowlife and forthcoming EP's due on RAMP later this year.



This month How's My Raving? take over London's Cargo on Friday 27th March throwing a huge free party featuring the undisputed kings of rave The Ratpack alongside one of the most hype motherfuckers in town Zomby alongside Hot City, Disco Of Doom, Ed Real (Old Skool set), Love's Tru Flavour & DJ Hard Target (Wifey)... We kid you not... this is the ultimate old school vs new school rave experience and it's fucking FREE!!!


www.myspace.com/hotcitybass
www.cargo-london.com/event/free-friday