| House | Techno | Electro | Trance |
| Disco | Funk | Soul | R & B |
| Breaks | Dubstep | Broken | Drum & Bass |
| Hip-Hop | Glitch | Garage | Scratch |
| Electronica | Downbeat | Ambient | Noise |
| World | Reggae | Jazz | Rock |
| Crossover | Mash-up | Eclectic | Verbal |
| Deep | Balearic | Future | Anthem |
| New | Cosmic | Tribal | Prog |
| Dark | Hard | Bit | Dub |
| Urban | Jazzy | Funky | Hardcore |
| Classic | Abstract | Retro | Minimal |
| Dirty | Latin | Afro | Punk |
London-based Ralph Cumbers is behind the Bass Clef moniker; an up-and-coming, unorthodox, trombone-wielding bass insurgent whose storming live sets have begun redefining dubstep not only at local clubs in Bristol, but across Europe. Bass Clef's debut long-player A Smile is a Curve that Straightens Most Things (Blank Tape, 2006) drew comparisons with AFX Twin for its electronica touches. Cumbers has also released music as RLF. Ralph Cumbers straddles the London centres that spawn heavy, sparse, bass-studies after living, playing and recording in both Bristol and East London.
http://bass-clef.blogspot.com/
| House | Techno | Electro | Trance |
| Disco | Funk | Soul | R & B |
| Breaks | Dubstep | Broken | Drum & Bass |
| Hip-Hop | Glitch | Garage | Scratch |
| Electronica | Downbeat | Ambient | Noise |
| World | Reggae | Jazz | Rock |
| Crossover | Mash-up | Eclectic | Verbal |
| Deep | Balearic | Future | Anthem |
| New | Cosmic | Tribal | Prog |
| Dark | Hard | Bit | Dub |
| Urban | Jazzy | Funky | Hardcore |
| Classic | Abstract | Retro | Minimal |
| Dirty | Latin | Afro | Punk |